Skip to main content

Set and Staging

In the film Reservoir Dogs, the entire movie -- barring "flashbacks" and the opening scene -- largely takes place in one location: the warehouse. I have chosen to remain faithful to that aspect in Reservoir Dogs the Musical. 

During the opening number, "Just the Tip," the entire stage is empty save for a simple diner set. There is a table, around which sit Mr. Orange, Mr. White, Mr. Blonde, Mr. Pink, Mr. Brown, Mr. Blue, Nice Guy Eddie, and Joe Cabot. They do their song and dance and then there is a full blackout. When the lights come back on, the diner set is off and replaced with the warehouse set: walls and a ramp set up at an angle to the audience. On stage right, there is the bathroom that Mr. White and Mr. Pink chat in near the beginning of the film. It is followed shortly by the ramp. On stage left there are two double doors leading offstage. Across the room are scattered various tarps and crates and other assorted set decoration to make it look like an abandoned warehouse.

This set remains onstage throughout the entirety of the rest of the show. It does not change for any "flashbacks." However, there is a sort of catwalk or raised walkway upstage (similar to the one in Hamilton). It is raised higher than the warehouse walls because what takes place there exists on a plane outside of the warehouse. This is where the "flashbacks" will be acted out by the some actors, while others talk or sing about them below.

For instance, during the song "The Commode Story," Holdaway, Joe, and Mr. White all appear. They will be playing their roles up on the walkway. Down below, Mr. Orange is singing his part in the song. But since Mr. Orange also appears in the "flashback," an auxiliary Mr. Orange played by a member of the ensemble will be going through the motions up on the walkway with the other characters. 

I use the term "flashback" loosely because Quentin Tarantino himself does not see those scenes that way. "It's not a flashback," he is quoted as saying in Jeffrey Dawson's book Quentin Tarantino: The Cinema of Cool. "Novels go back and forth all the time. […] Flashbacks, as far as I'm concerned, come from a personal perspective. These aren't, they're coming from a narrative perspective." In the film, it is not simply one character having a personal moment of remembering something. It is the entire story being physically rewound to tell a different portion. So while it is technically "flashing back," it does not reflect the literary meaning of the term "flashback," because it is not a memory. It is the actual scene happening for the first time.

This is why I chose to portray these scenes simultaneous to the main storyline. During Mr. Blonde's backstory, for instance, he is telling Mr. Pink and Mr. White what's going on. As he does so, we can see Joe, Eddie, and auxiliary Mr. Blonde up on the walkway acting it out. Joe and Eddie are speaking their lines. But auxiliary Mr. Blonde is silent. He simply acts out principal Mr. Blonde's narration. 

Similar things will happen many times throughout the show: Mr. White's backstory, for instance. Also Mr. Orange's backstory, which encompasses songs such as "The Commode Story" and "Mirror." 

Comments

Popular posts from this blog

Soundtrack

What's in a soundtrack? There are several main types of songs in musicals and musical theatre: "I Want," "I Am," conditional love songs, comic songs, Act Two openers, and 11 o'clock numbers.  "I Want" and "I Am" are self-explanatory. The former is perhaps one of the most written and most well-known types of songs. A character tears their emotions from their chest and bares their soul, describing their very deepest desires. The latter is more of a fourth-wall breaking moment, where a character lays out exactly who they are, a la "Major General's Song" from Pirates of Penzance.   Conditional love songs are love songs where characters perhaps haven't yet realized it's a love song, but the audience has. Comic songs are, as the name suggests, comic -- a way for levity to be brought in and the mood to be lightened. Think "Make 'Em Laugh" from Singin' in the Rain. Act Two openers open the second act, and m...

Cast, Crew, and Plot

The original film of Reservoir Dogs  is, without a question, racist and misogynistic. There are multiple scenes where racial slurs are used liberally, written by a white director for white actors to say. Harmful stereotypes about Black people, specifically incarcerated Black men, are passed off as jokes. And there is only one woman in the whole movie -- who gets shot in the face milliseconds after appearing onscreen. It is by no means a flawless or progressive movie. In the musical, I hope to mitigate some of the harm caused. If it was ever produced anywhere, I would hire a creative team full of women and people of color. The casting would also be done in such a way that is gender- and race- blind. Mr. Orange, for example, doesn't need  to be a man. If the actor cast in the role is female, the name would simply be changed to "Ms. Orange" and "Winnifred Newandyke." The only caveat is that the actors for Mr. Orange and Mr. White must be the same gender in order to...

Introduction

On February 14, 2023, I first watched Reservoir Dogs  (1992). Valentine's Day -- how interesting. Especially when you consider how I fell in love with the film. Very quickly, I began playing around with the concept of a stage musical based on it. That idea grew and grew. I've now written the lyrics to 14 songs and a third of the script, planned out costumes, set, staging, and lighting, and come up with a dreamcast. (Hugh Jackman is Mr. White, if you care.) This is my scream into the void -- my pitch of Reservoir Dogs: The Musical. It is my life's dream to get it produced someday.